Category Archives: Scratch Night

Crash Test scratch night

Scriptography Productions is very pleased to be hosting the latest Crash Test scratch night at Aberystwyth Boat Club Bar on Thursday 25th September 7.45PM

Crash Test scratch night offers a perfectly informal and fun environment which encourages writers new to writing for performance and more experienced writers to share work in its earliest stages of development. As well as providing an opportunity for Aberystwyth Arts Centre’s Writing for Performance Group to stage work at this bi-monthly event, Crash Test has also begun to attract writers from other areas such as comedy,  performance poetry and spoken word.

There is an Open part of the evening which is open to anyone to share their writing or performance.

The evening will be MC’d by James Baker with his usual incomparable and indescribable mix of comedy, writing, performance and occasionally dance!

If you are interested in taking part in this or future scratch nights contact or pop along and say hello.



March – it’s a little busy!

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????March is going to be a very busy month at Scriptography Productions. First we kick off with Grave Men Near Death at Aberystwyth Arts Centre (Wednesday 12th and Thursday 13th March), then straight into Response Time: Journeys at the Gas Gallery (Sunday 16th March) and then we see the month out with a Crash Test scratch night on 27th March.

Grave Men Near Death is a new play by Terry Bailey, who runs the MA Screenwriting course at Aberystwyth University. The play was developed as part of Playpen, an Aberystwyth Arts Centre’s  Writing for Performance Group project, short plays on any subject. Grave Men Near Death was a perfect short play and when Terry admitted he had ideas for other scenes and characters I have to admit I was sceptical. Plays are the length they need to be because – that’s it. When writers ask me about play length I always say it will be the length it needs to be. Let’s face it we’ve all sat through plays that needed a good edit or plays that felt empty as though there were some missing scenes drifting around somewhere in the ether.

I read the new version of Grave Men Near Death  sceptical and expecting to see a fifteen minute play dragged out. But it wasn’t, interestingly the original play was there largely intact but around it were wonderful new scenes and characters which added more depth and layers, it had the heart it started with but it had got bigger and better.

As I watched a rehearsal the other day, and did what I always do – watch the writer watching their play – I was as always thrilled to see his delight in watching his work come to life. In a time when we’re constantly being told that new writing is dead, that new writing isn’t worth supporting or prioritising and in a time when there are so few companies in Wales producing work with a new piece of writing at it’s heart – I can’t help but wonder why companies wouldn’t want such an amazing experience of bringing new work by a writer to life, I can assure everyone bringing a new play into the world is magical.

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Next up will be Response Time, our 48 hour challenge project to produce performed responses to art, space and environment at the Gas Gallery. This time we will be responding to the Sculpture Cymru Journeys: Responses to Place and Barbara Matthews exhibition Hidden Depths. The Response Time project gives a space for writers, artists and performance makers from many different disciplines to play. No better way to describe it really. We spend 48 hours playing – with ideas, working processes, collaborating and then we open the doors and let the audience join in the game. The audience can stand back and watch or they can even join in sometimes. We don’t insist that words are involved – that would be silly! But I do delight when words are included and also when a performance artist is inspired to express herself with words or when a physical performer decides to write a piece or when a writer decides to collaborate with a physical performer and explore a new working process. I’ve always been a little confused by the need to define new writing and new work – and seriously why has so many hours been lost to debating. Also I don’t understand why so many organisations insist on establishing rules for work to be developed – this way, or that way. Or the hours spent defining and analysing what is right or wrong in creative work. Surely every piece is different, surely every piece should be developed the way it needs to be.  At Response Time there are no rules – it is a space to play, to have fun, to enjoy.

??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Then finally for this month anyway – Crash Test – a scratch night for work in development – Thursday 27th March. A very informal environment perfectly suited to the living-room like feeling at the Aberystwyth Boat Club Bar. Again there are no rules – if it involves words then I’m happy for it to be shared. This about testing work out with an audience, about writers hearing their words beyond reading them aloud to themselves (I am still constantly astonished by the number of writers who don’t do that). Crash Test is a good name for it – it is about throwing things out there and seeing what crashes and what delights. It’s used as a testing ground for the Writing for Performance Group but also by other writers to test out work sometimes performed by themselves, sometimes performed by others. We provide performers if needed. It is a chance for writers to get used to sharing their work – something that can hinder and hold back so many writers from getting their work out there. It is open to all, again I am not interested in defining things – spoken work, poetry, plays, storytelling, stand-up – if it has words in it we can Crash Test it.

So that’s my March – please do come along and see what we get up to. None of these things are possible without audiences. None of us are writing for ourselves, we are all writing because we want an audience to hear our work, and be engaged by it and be excited by it – no matter how it is created, no matter what style it is created in, no matter what discipline or platform so please do come along and see work in it’s many different forms and most importantly have fun following us on our journey as writers and creators.

Sandra Bendelow

Crash Test Thursday 21st March 9pm

Julie Grady-Thomas performs stand-up for the first time at Crash Test in November 2012

Julie Grady-Thomas performs stand-up for the first time at Crash Test in November 2012

We’re really pleased to be hosting the second Crash Test scratch night on Thursday 21st March, 9pm at the RAFA club, Bridge St, Aberystwyth.

Crash Test offers the chance for writers, performers, artists, companies to share work in progress in a supportive and friendly environment.

It will include
-short audio plays from Aber Arts Centre’s Writing for Performance Group,
-a performance by writer, performer, storyteller Milly Jackdaw,
Louche Theatre presenting an excerpt from their next play Lillies on the Land,
-comedy sketches,
-an interactive performance experience designed by artist Ruth Hogg
-comedy from Crash Test’s resident comedians and hosts Tony Jones and Julie Grady-Thomas.

And of course Bingo!

Thursday 21st March 9pm
RAFA club, Bridge St, Aberystwyth

Tickets £5 (£3 concessions) Tickets available at the door.
Further information or if you are interested in participating in a future Crash Test contact Sandra Bendelow

Follow the latest news about Crash Test @scriptography #crashtestaber

Scratch Night 8th November

Scriptography Productions is very pleased to announce it will be holding the first of it’s Scratch Nights at the RAFA Club on Bridge St, Aberystwyth at 9pm on 8th November.

Hosted by Tony Jones who “survived “Gong Nights” at both Manchester & London Comedy Stores, semi-finalist in 2011 Welsh Comedian competition, but looking to compere in a relaxed way without picking on any audience members, unless they are from Borth in which case they’re asking for it.”

The evening will include an opportunity to see some scenes from “To Kill a Machine” by Catrin Ffflur Huws, a play about war-time code breaker Alan Turing and a selection of scratch performances of short plays, scenes and sketches.

Scriptography Productions is very pleased to be able to present stand-up comedy from Julie Grady Thomas and a unique and ever so slightly twisted Cabaret from Ali Matthews.

Julie Grady Thomas is the Robinson Crusoe of her time; hailing from America, she finds herself currently marooned on an island without any conception of its natives and culture. Even after two years living amongst the Welsh, each day is struggle to survive. Falling victim most often to foot-in-mouth, this modern castaway attempts to make sense of nonsensical, which usually means shunning America. A writer by nature, comedy is Julie’s second love and with any luck she’ll make you fall in love with her too.

As her alter ego Eve, Ali Matthews will work both above and below the belt to regale you with cabaret tales of biblical kinkery and songs of lost love.

The evening will raise funds for the performances of a new play about war-time code breaker Alan Turing “To Kill a Machine” by Catrin Fflur Huws which will be premiered on Wednesday 28th November at Aberystwyth Arts Centre followed by an “unplugged” performance in the Sherman Cymru foyer on Thursday 29th November and a performance on 5th December at Swansea University as part of a Science Cafe event celebrating the Alan Turing Centenary year.

TICKETS £6 (£4 concessions) Tickets can be purchased on the night or booked in advance at
@sandrabendelow      @scriptography