Tag Archives: Ruth Hogg

Programme of work at Response Time: Transitions

responding exercise1. Written by Sandra Bendelow, Performed by James Baker and Holly Payne-Strange, Directed by Holly Payne-Strange—Responding to Aria Light by Stephen Chilton and Transformations by Rebecca Backshall

2. Vivien Chinas Ezugha—Responding to Flicker by Ben Partridge

3. James Baker — Responding to The Red Lady by Gini Wade.

4. Edel O’Reilly and Ali Matthews —Responding to Dance for Constanza by Wuon Gean Ho

5. Sara Annwyl – Responding to Untitled by Jo Hounsome, Salome by Marcelle Hanselaar, Avatar by Chris Webster

6. Hannah Pullen—Responding to Dance for Constanza by Wuon Gean Ho.

7. Written and performed by Roger Boyle.

8. Written by Catrin Fflur Huws , Performed by James Bakes, Catrin Fflur Huws and Holly Payne-Strange, Directed by Holly Payne-Strange—Responding to Aber Prom by Kim James Williams

9. Hayley Addis—Responding to Ystwyth Garage by Pete Monaghan, Transformations by Rebecca Backshall and Aria Light by Stephen Chilton

10. Naomi Heath responding to Untitled by Jo Hounsome and the staircase

11. Ruth Hogg—responding to This I Know by Kathryn Polk

William Bock process12. Rebecca Louise Collins and William Bock – responding to the upstairs gallery

Thanks to Kim James-Williams for participating in the performance with her live drawing

Response Time: Transitions curated by Branwen Davies

Films created and edited by Ian Smyth. Film production for the Response Time project by Trebuchet Film Productions

Sound for  Hannah Pullen, Roger Boyle and Sara Annwyl by Nick Jones

Response Time is produced by Sandra Bendelow for Scriptography Productions

The next Response Time will take place on Sunday 24th November in the Gas Gallery.

Scriptography Productions will be hosting a Crash Test scratch night of text-based work in development on Thursday 31st October at the Boat Club 7.30PM

With thanks to Celf Ceredigion Art
http://www.celfceredigionart.org
http://www.facebook.com/celfceredigionart
@celfceredigion

Response Time: Transitions – introducing the responders Ruth Hogg

Ruth Hogg is a Multidisciplinary artist/Maker /Arts facilitator. She mostly works with photography, installation, film, performance, poetry. Curator of ::the studio:: Gallery. Thematic interests: Light, Symbols, Mandalas, Objects.

Performances of Response Time: Transitions are Sunday 27th October 5.30PM, 7PM and 8.30PM at the Gas Gallery, Aberystwyth, Park Avenue.
www.facebook.com/celfceredigionart

Response Time: Transitions

Vivian in the window. Image by Keith Morris

Vivian in the window. Image by Keith Morris

Performance makers from many different strands of live and digital performance including   theatre, writing, art, music, storytelling and film have been brought together and given just 48 hours to
respond to art, space and environment
in the Gas Gallery.

Response Time; Transitions will be curated
by Branwen Davies. Participants include Rebecca Collins, Holly Payne-Strange,
James Baker, Hannah Pullen, Ali Matthews, Hayley Addis, Hannah Mann, Naomi Heath, Catrin Fflur Huws, Ruth Hogg, Vivian C. Ezugha,
Nick Jones, Roger Boyle, Sandra Bendelow, William Bock and Edel O’Reilly.

The work will feature responses to the current exhibitions Transitions by post post-graduate students from the School of Art and Collaborations; Paper, Press, Print.

There will be 3 performances on Sunday 27th October at 5.30PM, 7PM and 8.30PM. Tickets     £5 (£3 concessions). There is limited space so advance booking advised scriptographyproductions@gmail.com

Branwen Davies who wrote and performed for the first project Response Time: Pilot Light and will be curating this next project said, “I’m interested in curating as I’m excited about weaving the variety of individual work that will be created and presented in order to tell an unique story as a whole. Not knowing what will be created is exciting and refreshing and a tight deadline will bring plenty of adrenaline!

The project allows for  an eclectic mix of responses from people approaching art from all sorts of different angles and spectrums. I am excited to have artists, writers, performers, musicians, live art performers and mixed media artists under one roof. People who might never work together sharing  ideas and inspiring each other to make great art.

The Gas Gallery / Oriel Nwy is a gift of a venue. It’s central, it’s accesible with a constantly changing exhibition to inspire and provoke everyone.

Having taken part in the first ‘Reponse Time’ I realised the broad mix of people making and creating inspiring work in Aberystwyth. This needs to be celebrated and exploited! ‘Response Time’ gives people the freedom to experiment, play and discover in a creative and supportive environment.

Anything can happen. Who knows what direction the artists will go. One thing for sure it won’t be dull and there will be something to delight everyone.”

Follow the project at www.facebook.com/celfceredigionart and @celfceredigion

 

Pilot Light – a response

Branwen Davies performing her response to the work of Sandra Masterson

Branwen Davies performing her response to the work of Sandra Masterson

After a little time to reflect on the pilot  of the Response Time performed response to
art, space and environment it’s time to think
about what worked well, what could have worked better and how to make things
even more interesting for the next one scheduled to take place 25th – 27th October.

One thing that most certainly emerged was a supportive, collaborative and friendship forming environment. With all participants enjoying their experience and being inspired to produce work.

As we’ve chosen to make this an on-going project responding to each exhibition at the Gas Gallery time constraints for organisation will always be a factor but also a benefit as it serves the nature of the project as it really is a case of seeing who gets involved and then throwing them together to see what emerges.

A few things took us by surprise, the changing light of each performance resulted in changes in the performance with shadows and darkness impacting the space and performers. Tashina Keller’s movement piece became a dance with paintings and shadows by the final show.

Every performance was completely different even without the changing light which is inevitable from performance shared with an audience after such a short time in development.

Hayley Addis asked the audience to look through the windows of the art

Hayley Addis asked the audience to look through the windows of the art

Many of the performances called for interaction from the audience and so the audience changes also impacted. James Baker asked the audience to spit into his
bowl. Hayley Addis asked for the audience
to make sounds which resonated and impacted through the upstairs gallery.
Vivian C. Ezugha asked the audience to
go outside onto the pavement and watch through a window. Branwen Davies asked the audience to choose from 1-12 to select which pieces would be performed, even through a rehearsal and three performances 4 and 10 were never chosen.

There was much within the space we could have made more of and no doubt will do in future projects. People wandering by throughout the performances and peering in became part of the performances and random comments from passers by were calling out to be part of future projects.

At such an early stage of the development of the project we’re unsure the role of digital recording and simply plan to continue to do this until it becomes clearer how it can be integrated into the live performance or become part of something bigger, beyond the 48 hour installations of performance.

It will be interesting to see how much the changing nature of the art impacts on the responses creating difference is how the performance makers respond to the space and environment.

We have to allow the project to evolve and change as it needs to and to help this we will being in guest curators whose job it will be to nurture the weekend’s performances and steer them towards presentation to an audience.

It is also inevitable that we think of moving some of the pieces forward to see how they can develop alone without the art, space and environment to support them or how we can take the art, space and environment elsewhere through digital mediums.

One piece by Hannah Mann, Ruth Hogg and Gareth Williams was presented entirely digitally without any live-performance and yet perfectly reflected the whole project by containing elements of performance process and responding to both exhibitions.

There are endless possibilities for Response Time and while we ponder those we’ll continue to play.

Footage, images and recordings of the weekend are available now and we will continue to post more as we edit and upload including a filmed interview with Aislinn Knight talking about her work.

www.facebook.com/celfceredigionart
https://vimeo.com/scriptographyproductions/videos

Pilot Light Responders

Sandra Masterson's work in the Gas Gallery

Sandra Masterson’s work in the Gas Gallery

Branwen Davies is a writer who writes in Welsh and English. She is currently a PhD student at the Theatre, Film and TV department at Aberystwyth University. Branwen is interested in discovering new ways of creating theatre and stepping away from text based theatre and delving in to the world of devising and experimenting.

Ruth Hogg is a Multidisciplinary artist/Maker /Arts facilitator. She mostly works with photography, installation, film, performance, poetry. Curator of ::the studio:: Gallery. Thematic interests: Light, Symbols, Mandalas, Objects. “ Elementals Re-sound. Arche-typos re- flecked with old paint, re-fraction of a second was all it took for the echo to eternalise.”

Tashina Keller has a passion for acting and any type of Performing Arts. Two years ago she moved from Germany to Wales and decided to pursue her dreams of a career in the Performing Arts business. She recently finished college and will study Drama and German at Queen Mary University in London next year. Tashina hopes to unite mainstream theatre with abandon garde theatre one day.
http://tashinatatjanakellerblog.wordpress.com/2013/09/19/my-light-is-the-pilotlight/

Roger Boyle is a semi-retired computer scientist who likes to perform on stage.  He’s tall and loud so is often typecast into tall, loud, older roles. He has written some short pieces which are probably amenable to a lot of critical attention from people who know what they are doing.

Hayley Addis is an artist, writer and storyteller. She is currently building her portfolio as a storyteller and writing a thesis in the philosophy of art, focussing on how the process of creating art can help us as human beings in a disenchanted world. Hayley has a deep love for the stories of the land and the music of magic, sharing this through publications such as ‘The Giant’s Tarot’ (art) and several anthologies (writing) to help re-enchant the world. Hayley has also performed in diverse situations, from storytelling as an Iron Age bard to Crabtree in ‘Allo ‘Allo and The Tempest’s Miranda.

Catrin Fflur Huws has written for Castaway Community Theatre since 2008 including the recent summer show Rain of Blood. She was selected for the Sherman Cymru Spread The Word scheme for emerging writers in English language and the Sherman Cymru Gair Ar Led emerging writers scheme in Welsh language. Her first full length play about Alan Turing, To Kill the Machine was produced by Scriptography Productions. Her short audio drama The Constant Hunger of the Troll Under the Bridge can be heard at the EarCandy website

James Baker is a Writer and Performer, currently studying his second year of a Performing Arts BTEC at Coleg Ceredigion and writing his first full-length play. He’s fascinated by how we narrativise our lives, the Stories and Lies we tell ourselves and each other to make life liveable, and he hopes the human condition of endemic self-deception is a long-lived one as he finds it quite useful for getting to sleep at night.
essentiallydazzling.tumblr.com

Sandra Bendelow is a scriptwriter, producer and digital media specialist. She runs Aberystwyth Arts Centre’s Writing for Performance Group and Scriptography Productions. Her short play One Hour and Forty Five Minutes was recently produced at the Royal Court by Dirty Protest. Her short audio drama Cursed can be heard at the EarCandy website  http://www.sbendelow.blogspot.co.uk/

Vivian Chinasa, Ezugha is a third year student at the School of Art.  Since coming to University, her work has become an investigation in what it means to draw. Using her body as a drawing tool, she has become more aware of the ways in which she can use her body as a tool for performance. She makes marks using her mouth and by sitting still, creating a link between the visible and the invisible. Drawing is her way of self-expression and she is exploring this through the engagement with live performance.
http://ezugha.tumblr.com/

Rachel McAdam is a scriptwriter. In 2012 she was short-listed for the BBC writer’s room rapid response competition with her short script ‘Candlelight’, and for the Wales Drama Award (BBC Cymru and National Theatre of Wales’, with her feature length script ‘Waste Not’. She also was one of fifty winners in the international short screenplay competition 50 Kisses with her short, ‘The Price of Romance’. Her short audio drama My Mother Told can be heard at the EarCandy website

Other responders include Gareth WIlliams, Hannah Mann, Norma Izon, Stephen Chilton and Jen Loffman.

Find out more about the project and performance times on Sunday 22nd September here

Crash Test Thursday 21st March 9pm

Julie Grady-Thomas performs stand-up for the first time at Crash Test in November 2012

Julie Grady-Thomas performs stand-up for the first time at Crash Test in November 2012

We’re really pleased to be hosting the second Crash Test scratch night on Thursday 21st March, 9pm at the RAFA club, Bridge St, Aberystwyth.

Crash Test offers the chance for writers, performers, artists, companies to share work in progress in a supportive and friendly environment.

It will include
-short audio plays from Aber Arts Centre’s Writing for Performance Group,
-a performance by writer, performer, storyteller Milly Jackdaw,
Louche Theatre presenting an excerpt from their next play Lillies on the Land,
-comedy sketches,
-an interactive performance experience designed by artist Ruth Hogg
-comedy from Crash Test’s resident comedians and hosts Tony Jones and Julie Grady-Thomas.

And of course Bingo!

Thursday 21st March 9pm
RAFA club, Bridge St, Aberystwyth

Tickets £5 (£3 concessions) Tickets available at the door.
Further information or if you are interested in participating in a future Crash Test contact Sandra Bendelow scriptographyproductions@gmail.com

Follow the latest news about Crash Test @scriptography #crashtestaber
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